The Art of Advocacy
in
Joey Velasco's Hapag
by
GINO DORMIENDO
THIS debut exhibit is originally intended to expose the ills of our society.
And what greater evils than those inflicted on the poor, the young, and the
innocent, with a cast of 12 destitute children with whom the artist shared
time together, moving from despair to hope, and seeing the fullness of life
with faith that moved the children, as it had moved the artist, in his and
their collective journey.
The artist is Joey A. Velasco, a 39-year-old entrepreneur who was once a seminarian
back in his Salesian days. Though content and secure in life, having chosen
to raise a family, Velasco was later diagnosed with a large mass growing in
his left kidney. That was the time he realized there was more to life than
material success. Having gone through a successful operation, he began a journey
into the night, painting the subjects of children from the lower depths. Impoverished,
deprived, neglected, and abused, these children became the figures in his
large painting that he called Hapag ng Pag-asa, with a Christ figure shown
hovering with the subjects, in the middle of the art work.
Rediscovering the treasure in each child, Velasco spent precious time with
every one of them, in an effort to touch and heal their wounds. He visited
their dwelling places, interviewed their parents and guardians, went out of
his own comfort zone, to reveal the Master’s message of Hope through
his work. At the end, it was he who was transformed as he realized that the
gift of art is a truly powerful instrument to reform and transform their lives.
More than a year has passed since that first encounter. Today, the children
have moved on to a better chance in life. For his part, Velasco had worked
feverishly and perseveringly on his art, creating murals of hope and love.
The fruit of his labor is now mounted on the gallery walls, collective portraits
of the children with their unique stories to tell. The artist has also written
a book, containing the stories of the children of Hapag, and endorsed by no
less than the Archibishop of Manila, Gaudencio B. Cardinal Rosales, as well
as Tony Meloto, Gawad Kalinga Worker and 2006 Ramon Magsaysay Awardee.
The paintings are a fitting testament to Velasco’s newly-harnessed gifts
at portraiture. Though a virtual latecomer in the art scene, he has proven
beyond doubt that one’s talent can indeed surface at the crossroads
of life. What is even more important is that an artist comes to the fore,
realizing that he has God-given gifts at his command, and for His greater
glory. Without doubt, Joey Velasco has passed muster, in a rather compressed
period, and has joined the ranks of the most promising emerging artists in
the art scene.
We join the growing multitude of fans and followers of the artist in expressing
our fondest wish that continue his advocacy of casting his lot with the less
privileged even as he pursues the highest ideals of art in finding his own
place with his brush and paint. May the canvas he has so movingly painted
become the epochal story of our people’s redemption! more
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